Grzegorz Gerwazy Gorczycki: Completorium for 4 voices, 2 violins, 2 trumpets and organ – Play streams in full or download MP3 from Classical Archives. Polish Baroque composer Grzegorz Gerwazy Gorczycki. Shop gorczycki completorium sheet music, music books, music scores & more at Sheet Music Plus, the World’s Largest Selection of Sheet Music.

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Gorvzycki makes use of a wide-ranging vocal apparatus. Gorczycki wrote mainly church music: The psalms and the canticle are set in a manner of spiritual concerti, the prevailing genre that was the predominant type of composition in Poland yet one that was never part of the monastic liturgical tradition. Motetto seu Offertorium de Sancto Joseph. Melismas are richly developed, and verbal accentuation correct – Gorczycki was careful about declamation of text, therefore repetition is economical and gorczycoi.

The Divine Soliloquy Hradetzky50! This style was more popular at the time, as opposed to the Renaissance style of the above works. The earliest recorded information on any of Gorczycki’s works comes frombut he must have written a substantial amount before in order to be appointed Kapellmeister.

Gorczycki’s original score of The Completorium.

Gorczyckis Completorium is one of the finest Polish works in this form. Grzegorz Gerwazy Gorczycki ? Gorczyckis Completorium should be categorised as belonging to vocal and instrumental concert forms.

We also do not know how a thirteen-year-old boy from a peasant family could start his studies in liberal arts and philosophy at Charles University in Prague, which Gorczycki did in Benedict in the 6th century. The Wawel Archcathedral – the nave. He was ordained on 22 March It is here we see Gorczycki’s mastery of counterpoint; he wrote massesas well as arrangements of introitsantiphonsoffertories and hymns which all belong to this category. Log in Wish list.


Concerti a 2 II. This page was last edited on 7 Januaryat Please find your compleyorium distributor on the listor order our sheet music through the Hal Leonard online shop: Benedict, who gave the Compline the structure that has been used widely in the West. The solo voices, except for a few stereotypical progressions, reveal strong invention.

Gorczycki Completorium Sheet Music, Music Books & Scores At Sheet Music Plus

Newsletter PWM Sign up. At that time, Cracow had a very vibrant musical community with 15 active ensembles. Also parlando for the whole vocal ensemble creates high tension. It was most likely written for the musicians at Wawel Cathedral.

Grzegorz Gerwazy Gorczycki – Wikipedia, wolna encyklopedia

Furthermore, the separation of the antiphons from the psalms and the canticle, and the assigning of the versicle in one movement to the alto and tenor singing together which itself would be liturgically inadmissible replaces liturgical characteristics with purely artistic ones. Unfortunately none of his compositions were ever published during his lifetime, so most of them have been lost; 39 works can, however, be attributed to him with surety.


During his lifetime he was called the Polish Handel. Similarly little is known about his musical education; however, it is known that he attended the University of Praguewhere he graduated from the department of Liberal Arts and Philosophy, and then attended the University of Viennawhere he gained a licentiate in theology.

He retained that function until his death in Gorczycki was appointed the Master of the Cathedral music program.

Music Education Day Check. Initially, the service consisted of three psalms 4, 91, After his death, Grzegorz Gerwazy Gorczycki was honored with the title gemma sacerdotum a gem of com;letorium.

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Completoriym you, Lord, I have taken refuge — was added in the 9th century, and the hymn at some point between the10th and 13th centuries. Basil in the 4th century. The violin, which performs with the vocal parts, shows a lot of melodic independence. These works were composed for small ensemble and choir. Retrieved from ” https: Crudelis Herodes; Deus tuoru. Duma per quattuor vocum.

Grzegorz Gerwazy Gorczycki (1667?—1734)

By using this site, you agree to the Terms of Use and Privacy Policy. The piece shows characteristics of the techniques which were shortly borczycki shine in the great oratorios of G.

Concerti a 2 I.